{"id":11648,"date":"2019-04-26T20:00:51","date_gmt":"2019-04-26T18:00:51","guid":{"rendered":"https:\/\/historyofrappelz.com\/?p=11648\/"},"modified":"2019-09-09T19:36:45","modified_gmt":"2019-09-09T17:36:45","slug":"paris-games-week-et-game-connection-2018-meetup-with-a-composer","status":"publish","type":"post","link":"https:\/\/historyofrappelz.com\/en\/paris-games-week-et-game-connection-2018-meetup-with-a-composer\/","title":{"rendered":"Paris Games Week et Game Connection 2018 : Meetup with a composer"},"content":{"rendered":"

In October 2018, we were fortunate to have been invited to participate in the 9th edition of Paris Games Week and Game Connection Europe 2018 as a press.<\/em>
\nFor seven days, we had the opportunity to walk the corridors of the exhibition centre at the Porte de Versailles, in Paris, to produce a series of articles on these two events.<\/em>
\nDuring the Game connection, we had the opportunity to talk with video game and technology professionals.<\/em><\/p>\n

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One of the most interesting meetup we had during this Game Connection 2018, was with Samuel Safa, a music composer worked with video game studios. Samuel is an independent working for more than 10 years in the music industry and has been awarded for his compositions including 2Dark<\/strong> (Jerry Goldsmith Award for the best soundtrack for a video game, nominated for the best soundtrack – Ping Award), Kill The Bad Guy<\/strong> and Tiny Token Empires<\/strong>.<\/p>\n

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When he works on a composition, it’s done in team with the game developers so that he can get the most out of the game world, and thus use the game’s narrative to create a sound atmosphere that plays on the players’ feelings.<\/p>\n

Today, all his work is commissioned, he has no predefinided musical style and uses his inspirations (notably Bernard Hermann) to create works.<\/p>\n

You can find Samuuel’s different creations on his website : https:\/\/www.samuelsafa.com\/<\/a><\/p>\n